Dreamland of Iwate Prefecture, Japan

Link to article: Dreamland of Iwate Prefecture, Japan.

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[[include :scp-wiki:info:start]]
**Original article:** http://ja.scp-wiki.net/dreamlandiwate
**Author:** ©︎[[*user FattyAcid]]
**Translator:** [[*user salamander724]]
[[include :scp-wiki:info:end]]

[[size 150%]] **Īhatōv** [[/size]]

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[[>]]
**Īhatōv Wards (by Toyoho),**
**LoI-8128-b (by the Jailors),**
**Dreamland of Iwate Pref.**
**Ihatov (diacritics omitted)**
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= **Conspectus**

In Japanese, there is an idiom “a truth come from falsity/fiction”. Those who live in the neighborhood of paranormalcy like us are especially aware that the border between fiction and truth fluctuates very easily. In that respect, a very interesting area exists in Northeastern Japan. It is a space where the inside of the author's head shapes the landscape, and the distinction between fantasy and reality is extremely ambiguous.

[[[http://scp-int.wikidot.com/aodaisho-hub|We, Aodaishō]]], hope to spread the movement and ideas of the Hand in Japan, and become a bridge between this country and the Library. Then we must be aware of our domestic environment surrounding paranormalcy first. As a first step, we decided to look into the special areas scattered within the country. This is the monumental first page of our dossier.

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= **Illustration**


[[=image http://scp-jp.wdfiles.com/local--files/dreamlandiwate/ihatov.jpg]]


= Landscape photo of Īhatōv. The forest and mountains seem far away, but they are not.

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= **Knowledge**

**Traits:** Īhatōv is a region that occupies the western part of [[[toyoho-hub|“Tōno Yōkai Sanctuary”]]], the otherworld located in Iwate Prefecture. The southern plains are laid out with countryside and pastures, while the centre is a small town (called ‘Morīo City’ by the dwellers). The style of buildings here is [*https://en.wikipedia.org/wiki/Japanese-Western_Eclectic_Architecture Japanese-Western eclecticism] that was common from Meiji to early Shōwa era; in contrast to the architecture of the rest of the Sanctuary, which is [*https://en.wikipedia.org/wiki/Minka purely Japanese traditional style]. There are woodlands around the town. The northern part is mountainous, with a mountain that looks like a miniature version of Mount Iwate being the most prominent.

The inhabitants of Īhatōv consist of humans, sapient animals and plants and minerals, monsters and spirits, and clammbons[[footnote]] What are they?   -- //Shr.//[[/footnote]][[footnote]] I don't know what they are, but they definitely exist. They jump and laugh, and then they kill and die.   -- //AO//[[/footnote]]. However, we cannot assert that “humans” among Īhatōv residents are the same as “humans” outside Īhatōv, due to the special nature of the region, which will be after-mentioned. The same applies to animals and plants and other beings.

**Nature:** Īhatōv is known as an area where the dreamscape of late Mr. Kenji Miyazawa, a writer from Iwate, has become an embodied reality. This place is constantly affected by metaphysical/pataphysical influences, thus weird phenomena always occur. In short, this space is established by a theory that differs from physical, magical, or occultic laws.[[footnote]] Frankly, I don't understand it. -- //AO//[[/footnote]]

The internal geographic situation is clearly proving it: the apparent distance and the actual distance do not match at all.[[footnote]] This phenomenon itself often occurs in other otherworlds. [https://scp-wiki.wikidot.com/another-goddamn-magic-system The most familiar example is the Library itself]; the space is uneven. Is Īhatōv different in how it works? -- //Shr.//[[/footnote]][[footnote]] There was a map at the Sanctuary municipal office. How did they make that map? -- //Deck.//[[/footnote]] One minute you're in an infinitely wide pasture, the next you're in a forest after a short walk.[[footnote]] In a fiction, a simple movement scene with no event can be finished with just one sentence. This is a pataphysical phenomenon indeed. -- //C.X.// [[/footnote]] Therefore, the terrain should be considered as a rough directions, such as “a mountain on the north side and a field on the south side.” When you go to a certain point, you can arrive relatively easily if you have the will to go there.[[footnote]] Perhaps it's more appropriate to say that the place appears if necessary. I had no idea there was an Ambrose affiliate in the middle of mountains like that. -- //U.K.N.// [[/footnote]]

**History & Associated Parties:** It is unknown when this otherworld came about, but it seems that it already existed during Kenji Miyazawa's life. The turning point came in 1933, when Mr. Kenji died and Īhatōv began to collapse. It was Ms. Yabu Isanagi, the mayor of Tōno Yōkai Sanctuary, who separated Īhatōv from his death and anchored it onto [[[toyoho-hub|‘Samuto Locality’]]].[[footnote]] If it was really Mr. Kenji's dreamlands, it might have been reasonable to disappear by his death. To prevent that, it would have been a good way to separate it and prevent death from spreading. But would it be possible for something that was synchronized with the mind to be seperated and exist independently as standalone? What I'm trying to mean is that: wasn't it going to be like a computer without power? -- //K.K.// [[/footnote]][[footnote]] By that metaphor, we'd have to think that power source was replaced at the same time as it was disconnected. Though we don't know what the new power source is at the moment. -- //C.X.// [[/footnote]][[footnote]] If we use a metaphor of mechanical device, the loss of power is not the only problem. The dissipation of components is also a crucial problem. In that sense, Yabu did a good job. She swept the components into an existing box named Samuto to prevent dissipation. -- //Shr.// [[/footnote]][[footnote]] Whatever she did, metaphors are a good way to grasp metaphysical thing like this. -- //C.X.//  [[/footnote]] Since then, Īhatōv has become part of Samuto Locality, and now it remains as the “Īhatōv Wards” within the Yōkai Sanctuary.

Few people physically migrate from the outside, because the land was not originally suitable for residence, and there were relatively suitable lands nearby. However, it seems that during the post-war era, entities who have congeniality to the pataphysical properties of this land visited and settled. For example, there is ‘Ambrose Wildcat House’[[footnote]] The food here is good. I recommend here. -- //U.K.N.// [[/footnote]], an Ambrose-affiliated restaurant.

**Approach:** The place itself can be safely accessed via Tōno Sanctuary. To enter the Sanctuary, you must be contact to the municipal office. Fortunately, the mayor is favourable to us for now. In addition, we think that there are some more Ways we don't know in this area.

As we wrote in the previous paragraph, there are a lot of weird phenomena inside. Don't be surprised if anything happens. The trick here is not to bring common sense with you. Pay attention to the animals, plants, and stones, to be careful not to step on them inadvertently.[[footnote]] Usually, they can cause damage to the visitors, but we should be careful, too. It's always too late after an accident happened. -- //Deck.// [[/footnote]]

Contact with the residents is no problem if you pay enough attention and respect to them.[[footnote]] In other words, it's okay if you act sensibly. -- //AO// [[/footnote]] Even a complete layman on psychology can easily see that their mental structures differ from those of people living in modern Japan.[[footnote]] Speaking of which, their mental structures are also different from those of the Meiji and Taishō eras I know.  -- //Shr.//[[/footnote]] They have an innocence and spirit of altruistic self-sacrifice. They hate domination and oppression. They are very curious and often speak to you first. It is rare to live in such an autarkic environment and not have antiforeign ideas.

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= **Observations & Stories**

“Īhatōv is a nomination. If you have to find the location, it is located on the field cultivated by Little Claus and Big Claus, among worlds like Alice's beyond the looking-glass, in the far northeast of the desert of Tepântar, and in the far east of the kingdom of Ivan the Fool. This is a dreamland exists in reality within an image of the mind of the author, [*https://en.wikipedia.org/wiki/Scenic_areas_of_Ihatov that is, Iwate Prefecture of Japan].
Everything is possible there. You can jump onto an ice cloud to travel north by riding the wind of general circulation, or talk to an ant crawling under a red vase.
Even sin and sorrow shine there as sacred and clean.”

[[>]]
 -- //[https://www.aozora.gr.jp/cards/000081/files/43734_17913.html Kenji Miyazawa, 1924]//
[[/>]]

//This may mean that there are other metaphysical areas similar to Īhatōv.[[footnote]] Why don't you find someone from England among the Hand and ask if they've ever seen a talking white rabbit?  -- //AO// [[/footnote]][[footnote]] I've seen a rabbit that understands human's words in the Library before. Is this helpful information? -- //C.X.// [[/footnote]][[footnote]] Certainly. -- //AO// [[/footnote]] However, it may be better not to interpret it literally. At least the "Keepers"[[footnote]] The word "Keepers" is a nickname for //[[[groups-of-interest-jp#shushuin|Shūshū-In]]]//, which I came up with. It's similar to the "Jailors", but with a nuance being not as strict as the Jailors, and a little bit antique feeling. I think it's a pretty good naming sense. Plus, this came to my mind while I was playing a puzzle game. There's a genre called [*https://en.wikipedia.org/wiki/Sokoban warehouse keeper puzzle]. -- //K.K.// [[/footnote]][[footnote]] I don't think it's going to be used much. -- //Deck.//[[/footnote]] at the time never seized or concealed this document. Then, this article may not be a direct reference to the anomalous areas.[[footnote]] I think it was only Yabu who knew the existence of this place among //Shūshū-In// at the time. -- //Shr.// [[/footnote]]//  -- K.K.

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“On April 26, the annual concert was held at the Cultural Hall of Morīo City, Īhatōv Wards. The ‘Morning Star Music Band’, which celebrates its 90th anniversary, has been familiar to us for a long time, and continues to work as a rare touchpoint for the Western music. This year's music festival had a succession ceremony for the first time in 20 years. Paul the Cellist (18 years old) succeed to the name of Gauche, thus became Gauche V, and performed "Tiger Hunting in India". After the performance, he confessed happily that he practiced for several nights without sleep.”

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 -- //[[[toyoho-202004|Promoting Toyoho]]], May 2017//
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//What we can read in this article: it seems that “reenactment of Mr. Kenji's work” has been handed down as a ritual/event among the locals. In other words, they have reenacted the story of “a clumsy cellist improves his skills by animals' nagging”[[footnote]] This is a bit of brutal summary. You can read "Gauche the Cellist" at any local library, not only the Library, so I hope you all read it. It's a public domain, so you can read it online. -- //R.円// [[/footnote]] five times so far. We may have to note that there are stories whose characters die, among Mr. Kenji's works, including "Obbel and the Elephant", "the Genius Loci and the Fox", "The Life of Budori Gusukō".// -- AO

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“This time, the wildcat house has launched a daytime-only lunch menu. It's a locavore menu made with existent ingredients carefully grown in Tōno, such as rice, soybean paste, vegetables; and local produts from Īhatōv: beautifully reflected wind and peachy morning light. For dessert, we recommend a compote made with unblown quince. Try it with yoghurt.”

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 -- //[[[ambrose-wildcat-house|Amborse Wildcat House]]]//
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//Oh, I want to go again for the purpose of this new menu. A fancy restaurant where you can have a great dining experience no matter how many times you go.// -- U.K.N. [[footnote]] Since when did you become a PR ambassador for Wildcat House? -- //AO// [[/footnote]][[footnote]] It was this restaurant that emerged in the mountains when we all were hungry and I felt like going to cry with anxiety. I can never forget the taste of the Cassiopeia stew I had then. -- //U.K.N.// 
 [[/footnote]][[footnote]] I'm a little worried if she might have been exposed to some kinda mind-altering effect. -- //Deck.// [[/footnote]][[footnote]] From this out, do not eat something rashly in the otherworld. -- //Shr.// [[/footnote]]


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“The Volcanic Bureau is recruiting new employees. Novices are also welcomed. Why don't you work and learn about geological minerals from your seniors? The duty is to observe volcano, install and repair observation devices, and exhaust the volcanic gas. Anyone who wants to join is welcome to visit the Bureau for themselves.”

[[>]]
 -- //The Volcanic Bureau of Īhatōv//
[[/>]]

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//The Volcanic Bureau has the most modern style building in Īhatōv. There is a lot of measuring meters inside, but it is not known whether it is actually observing something scientific.[[footnote]] I thought this was a place where the methodology of science could never be used at all. It seems that there's no reproducibility in anything happenes.  -- //Deck.// [[/footnote]] Even so, engineers and scholars belong to the Volcanic Bureau seem to be acting on some kind of independent theories. In the first place, the very existence of volcano here is surprising.[[footnote]] Maybe there's a hot spring. -- //Shr.// [[/footnote]] There seems to be nowhere to run in the event of a major eruption. Is this really okay? However, none of the residents, including the staffs of Volcanic Bureau, are anxious about this.[[footnote]] Personally, the thing “to exhaust the volcanic gas” gnaws my nerves. -- //AO// [[/footnote]]//
//And for sure, "The Life of Budori Gusukō" is the story of the protagonist becomes an engineer of the Volcanic Bureau and then eventually perish. Let's keep it in mind with the Gauche case.// -- AO

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“Long time ago, the mountain over there erupted several times. At that time, the ash and smoke came out together, and that's me that fell on here. The eruption calmed down, the grass grew thick in fields and hills, and trees also began to grow, so a forest here became. I've been watching everything all the time. All of them — flora, bugs, beasts, people — are kind-hearted. Please be friendly to them.”

[[>]]
 -- //A large black rock by the forest//
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//Wow, I never thought I'd have the opportunity to talk to a rock.[[footnote]] Surprisingly, you are not surprised. -- //Shr.// [[/footnote]][[footnote]] You neither. Is it because of your years of experience?  -- //Deck.// [[/footnote]] According to him,[[footnote]] I am not sure if this would be an appropriate pronoun for a rock. -- //Deck.// [[/footnote]] it seems clear that an eruption occurred in the past. However, I could not figure out when it was. It's all unknown if the volcanic eruption was after the occurrence of Īhatōv region,[[footnote]] As long as there is no record in the Volcanic Bureau, I think this is unlikely. -- //R.円// [[/footnote]] or if the rock formed by the previous eruption[[footnote]] Can it have anything to do with the ‘rock salad from Mount Iwate’ I ate at the restaurant? -- //U.K.N.// [[/footnote]] acquired his consciousness as Īhatōv region occurred, or if the memory of him was fabricated. He looks like basalt, so I think he must be volcanic rock. But his sense of time seemed to be different from ours, thus he didn't mention the year or month. There is no way to know; we can't exam his composition by cutting him.// -- Deck. 
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= **Doubt**

There must be other place/entities like this. Although it is hard to imagine that every human soul has such a place attached to it, there may have been a few people in history, if you narrow it down to prominent authors or artists. For example, an entity called [*/system:page-tags/tag/Andersen “Andersen”], which is often referred by the Jailors, seems to be related to the Danish author Hans Christian Andersen. And among the entities collectively called “deities”, there are also those that appear to be acting like characters of mythos rather than being numinous spirits. If there is a reader who is familiar with the relationship between fiction and reality, please share your information with us.

--And, another “Doubt” I have is whether it's okay to deposit this file into the Library or not. The Library is a nexus where all the strange and weird and eerie things are gathered to the extent that I can never imagine, and the knowledges gathered in there are disclosed confidently. It's a little embarrassing to think that my writing becomes among them, and that the inhabitants of otherworlds might read it. In terms of quality, I'm not sure whether this is something to put on the shelf or not. [[[from-busan-to-tono-2020|The last getaway]]] plan was fine, but it's my first time to write a catalog like this,-- Christmas, please erase this part later. I was so confused that I wrote something weird.[[footnote]] I didn't ask for a strikethrough! -- //AO// [[/footnote]]

//I thank you for taking the courage to write this entry, my new comrades from the Far East. Do never worry too much. There are all kinds of books in the Library, including those that were not written. As the Library is a place to share knowledge that you want, so the knowledge you share, however trivial, deserves to be deposited. Though the Library is a very eerie place, that doesn't mean it's a scary place. Just as we have been accepted, you will be accepted too.//
//P.S. The Japanese literature shelves have the unpublished works by Kenji Miyazawa. Not sure if they will be helpful, please take a look.// -- L.S.

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[[include component:license-box
|author=FattyAcid, translated by salamander724]]
=====
> **Original Article:** http://scp-jp.wikidot.com/dreamlandiwate

> **Filename:** Koiwai Farm
> **Author:** yisris
> **License:** CC BY 2.0
> **Source Link:** https://www.flickr.com/photos/yisris/267088807/
=====
> **Filename:** 遠野妖怪保護区 旗章
> **Author:** snoj
> **License:** CC BY-SA 3.0
> **Source Link:** http://scp-jp.wikidot.com/tono-logo
=====
> **Filename:** 山猫軒
> **Author:** FattyAcid
> **License:** CC BY-SA 3.0
> **Derivate of:** https://www.publicdomainpictures.net/jp/view-image.php?image=333641&picture= 
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Dreamland of Iwate Prefecture, Japan

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